{"id":6584,"date":"2024-09-29T22:02:58","date_gmt":"2024-09-29T20:02:58","guid":{"rendered":"https:\/\/redestudiosafricanos.org\/?post_type=comunicacion&#038;p=6584"},"modified":"2024-10-09T21:30:17","modified_gmt":"2024-10-09T19:30:17","slug":"les-facettes-du-chaos-a-luanda-selon-ondjaki-de-lidyllique-au-poetique-et-a-lallegorique","status":"publish","type":"comunicacion","link":"https:\/\/redestudiosafricanos.org\/en\/comunicacion\/les-facettes-du-chaos-a-luanda-selon-ondjaki-de-lidyllique-au-poetique-et-a-lallegorique\/","title":{"rendered":"Les facettes du chaos \u00e0 Luanda selon Ondjaki : de l&#8217;idyllique au po\u00e9tique et \u00e0 l&#8217;all\u00e9gorique"},"content":{"rendered":"<p>Compte tenu de l&#039;\u0153uvre fictionnelle d\u00e9j\u00e0 vaste d&#039;Ondjaki, la communication cherchera \u00e0 d\u00e9couvrir les significations de la repr\u00e9sentation de Luanda comme une ville marqu\u00e9e par le chaos. Contrairement \u00e0 ce que l&#039;on pourrait attendre, ce chaos n&#039;a pas n\u00e9cessairement une signification n\u00e9gative et n&#039;est pas non plus uniforme, pr\u00e9sentant au moins trois facettes : l&#039;une proche de l&#039;idylle, associ\u00e9e aux exp\u00e9riences de l&#039;enfance ; un autre li\u00e9 \u00e0 une vision suprar\u00e9elle qui se rapproche du po\u00e9tique, comme dans Quantas madrugadas tem a noite?; et un autre, apparemment plus engag\u00e9 dans le r\u00e9el, mais avec une d\u00e9rive vers l&#039;all\u00e9gorie, comme c&#039;est le cas de Os Transparentes. Ensemble, ces trois mod\u00e8les de repr\u00e9sentation sugg\u00e8rent une conception ouverte de la ville, tr\u00e8s diff\u00e9rente du mod\u00e8le occidental.<\/p>\n","protected":false},"author":1336,"featured_media":0,"template":"","meta":{"_acf_changed":false,"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"ciea":[87],"class_list":["post-6584","comunicacion","type-comunicacion","status-publish","hentry","ciea-ciea12"],"acf":[],"_links":{"self":[{"href":"https:\/\/redestudiosafricanos.org\/en\/wp-json\/wp\/v2\/comunicacion\/6584","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/redestudiosafricanos.org\/en\/wp-json\/wp\/v2\/comunicacion"}],"about":[{"href":"https:\/\/redestudiosafricanos.org\/en\/wp-json\/wp\/v2\/types\/comunicacion"}],"author":[{"embeddable":true,"href":"https:\/\/redestudiosafricanos.org\/en\/wp-json\/wp\/v2\/users\/1336"}],"version-history":[{"count":1,"href":"https:\/\/redestudiosafricanos.org\/en\/wp-json\/wp\/v2\/comunicacion\/6584\/revisions"}],"predecessor-version":[{"id":6585,"href":"https:\/\/redestudiosafricanos.org\/en\/wp-json\/wp\/v2\/comunicacion\/6584\/revisions\/6585"}],"wp:attachment":[{"href":"https:\/\/redestudiosafricanos.org\/en\/wp-json\/wp\/v2\/media?parent=6584"}],"wp:term":[{"taxonomy":"ciea","embeddable":true,"href":"https:\/\/redestudiosafricanos.org\/en\/wp-json\/wp\/v2\/ciea?post=6584"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}