{"id":3557,"date":"2024-06-12T19:58:27","date_gmt":"2024-06-12T17:58:27","guid":{"rendered":"https:\/\/redestudiosafricanos.org\/panel\/afrodescendence-gender-and-aesthetic-and-ritual-gestures\/"},"modified":"2024-08-09T19:10:03","modified_gmt":"2024-08-09T17:10:03","slug":"afrodescendence-gender-and-aesthetic-and-ritual-gestures","status":"publish","type":"panel","link":"https:\/\/redestudiosafricanos.org\/en\/panels\/afrodescendence-gender-and-aesthetic-and-ritual-gestures\/","title":{"rendered":"46. Afrodescendence, gender and aesthetic and ritual gestures."},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">The panel is part of the anthropological field of the study of African descent. The proposed perspective focuses on the agentivity expressed by shared creative practices, thought as a strategy to play with the rules of colonialism, following authors such as Fanon, hooks, Mbembe, Gilroy, and as an affirmation of decolonial positions.<br\/>My perspective of study that intertwines the analysis of the meaning of aesthetic practices and religious practices allows us to reflect on these issues from everyday life trajectories, useful to deconstruct exoticizing and reifying images.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The panel proposes to analyze Afro-descendant aesthetics and religiosities in diasporic places. It is proposed to analyze syntheses between different cultural frameworks and reinventions of African memories in the context of transculturation (Ortiz 1991). In particular, contributions are solicited on female religious and aesthetic practices and discourses that valorize Afro-descent. From this gender perspective, we are invited to focus on the multiple dynamics that, in globalization, represent networks of transnational solidarities (Capone, Argyriadis 2011) linked to the idea of Africa and at the same time constitute local creative practices that oppose the dominance of the Western component in the way of thinking and experiencing the notion of decolonization (Gilroy 1993). In particular, it is invited to address the transmission of Afro-descendant memory enacted through shared everyday, aesthetic or ritual gestures that represent concrete practices of belonging and decolonization (Zapponi 2023) and suggest transnational forms of social cohesion.<\/p>\n","protected":false},"author":397,"featured_media":3073,"template":"","congreso":[91],"class_list":["post-3557","panel","type-panel","status-publish","has-post-thumbnail","hentry","congreso-ciea12-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/redestudiosafricanos.org\/en\/wp-json\/wp\/v2\/panel\/3557","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/redestudiosafricanos.org\/en\/wp-json\/wp\/v2\/panel"}],"about":[{"href":"https:\/\/redestudiosafricanos.org\/en\/wp-json\/wp\/v2\/types\/panel"}],"author":[{"embeddable":true,"href":"https:\/\/redestudiosafricanos.org\/en\/wp-json\/wp\/v2\/users\/397"}],"version-history":[{"count":5,"href":"https:\/\/redestudiosafricanos.org\/en\/wp-json\/wp\/v2\/panel\/3557\/revisions"}],"predecessor-version":[{"id":5805,"href":"https:\/\/redestudiosafricanos.org\/en\/wp-json\/wp\/v2\/panel\/3557\/revisions\/5805"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/redestudiosafricanos.org\/en\/wp-json\/wp\/v2\/media\/3073"}],"wp:attachment":[{"href":"https:\/\/redestudiosafricanos.org\/en\/wp-json\/wp\/v2\/media?parent=3557"}],"wp:term":[{"taxonomy":"congreso","embeddable":true,"href":"https:\/\/redestudiosafricanos.org\/en\/wp-json\/wp\/v2\/congreso?post=3557"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}